High Heels For Wide Feet

Language. Strangers. Home.

Nichts beschreibt die Bedeutung von Sprache besser als die Worte einer Autorin, die gelernt hat in mehreren Sprachen zu denken, zu schreiben, zu leben. Marica Bodrožic verdanken wir dieses Eingansgzitat.



Unser ganzes menschliches Dasein ist von Sprache durchdrungen und zwar auf eine so selbstverständliche Art, dass wir uns kaum einmal tiefere Gedanken darüber machen. Unsere Muttersprache lernen wir automatisch und kommen in der Regel ganz wunderbar durch unser Leben, ohne uns jemals näher mit Sprache zu beschäftigen. Diesen Umstand nehmen wir zum Anlass, Teile unseres Programms auszurichten mit dem Ziel, in einer Vielzahl von Veranstaltungen auf unterhaltsame Art ins Bewusstsein zu rücken, wie spannend und interessant die may be dealing with language and languages - that is much more than an abstract instrument to convey information. Language has a very central social function that is used to identity and cultural belonging - in short, language is an immensely important cultural asset:

language is culture
language society
language life

In this sense, we want above all the central roll out to the language and the languages in all aspects of play of human life - such as questions of identity, social integration, education, psychology and art. But we also want to make people familiar with the idea of \u200b\u200blinguistic diversity of our world, to show that it is precisely this variety has a high priority for humanity and therefore must be preserved.

All this is mainly with the means and instruments to be implemented, for which we stand as an art agent - with the arts. Where it is necessary to provide in depth knowledge, we seek the cooperation and expertise with faculty of the Department of Linguistics at the University of Salzburg.

It is no secret that the cultural association art box for some time with the concept of a "Language Museum" deals. The next 24 months will be a "laboratory" for this plan, a "Work in Progress", which allows us to experiment with multi-faceted subject of language - the results will feed into the master plan. Two themes we have planned: The "small" and the "big" world of language: first

The language in the regional context
What makes the identity of a region? Is it the landscape, the history, culture, the economy, it is the people who live there? Identity is not a statistic, it is not foreseeable as "economic fundamentals" and not as historical auflistbar Jahreszahlen. Zuallererst ist sie etwas Menschliches, resultierend aus dem komplexen Zusammenspiel vieler Faktoren. Einer dieser Faktoren ist die Region, aus der man stammt und in der die meisten auch ihr Leben lang bleiben. Jene, die weggehen, tragen Ausdrucksformen ihrer Heimat meist ein Leben lang mit sich. Diese äußern sich in vielerlei Form, z.B. wie man sich im Alltag benimmt, was man gerne ißt. Zu den „höchst markierten“, d.h. regionale Herkunft und auch Zuordenbarkeit ganz besonders stark prägenden kulturellen Ausdrucksformen eines Menschen gehört die Sprache. Es hängt dann von der Persönlichkeit jedes Einzelnen ab, inwieweit er fähig oder willens ist, sich in fremder Umgebung sprachlich anzupassen, doch the most depends on her life at least "a slight accent on. The further one goes away, the further the regional identification of the source region. He who understands its regional identity will continue, or will then also more extensive, mostly "everyday language" referred to levels of language use, which then often have only a few lines of small regions in itself. The basis of all or any regionality-comprising forms of language but the local dialects. Without it, would collapse the foundation that makes it as the Salzburg - naturally in a variety of shades - even talking to "Salzburg". That means: use and appreciation of regional languages \u200b\u200bare primarily in the region of their place. This linguistic microcosm, we want to focus - with the means of art, science, and also by using new media.

second The language in the context poured
How many living languages \u200b\u200bare there? - 50? 200? maybe 1000? The correct answer is: about 6,000, falling tendency. It could be that somewhere is dying in the world right now, the last speaker of a largely unknown language, there would be a living language less. What exactly is a language and not only the dialect of a larger language, can be hard to say objectively: How many new words or phrases need to be able to demarcate a single language? It also depends on the ratings of the speaker, if they perceive something as a separate language. Whether Swahili or Uzbek, whether Austrian dialects or languages of France - it is precisely these differences that make up the fascination of the "foreigners".

to various languages will be presented and thematisisert in events, but also offered insight into the typical culture - with readings, dance and music performances, plays and much more. In this way we want to reveal the phenomena of language with its content and the associated lifestyles. Consequently, this approach aims a socio-cultural insights and an exploration of reality, which opens to the public opinion of the present. For languages \u200b\u200bnot only as a means of communication, but must be seen to other cultures as a means of access. The associated with several cultures through their languages \u200b\u200bmust be part of the identity of all citizens.

Therefore, the cultural association dedicated art box in the year 2011/12 the phenomenon of language. As a form of home, strangeness and connecting lifeline.

addition, we will consistently invest in the greatest asset of our society - our children. We continue to question the identity of the scenic region produce and play on them with land art and literature. We plan to establish a theater lab, and if our capacity is adequate, we will present here, even the one or the other in-house production. The new format "art tours" will lead us to Venice Biennale 2011. And, and, and .... Here is an overview of planned activities 2011:

Open publication - Free publishing -

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moving action in the front yard

Nachdem wir unseren Vorgarten ab dem nächsten Frühjahr umgestalten möchten, hat vor einigen Wochen der Umzug einiger Pflanzen in den Garten Eden begonnen.

Er hat mir schon ewig lange nicht mehr gefallen, doch ich hatte bisher keine Idee, wie ich ihn letztendlich anlegen soll - denn was macht man mit einem kleinen Dreieck und einem Schlauch auf der anderen Seite???

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Hier nun zuerst einiger Bilder aus den Anfängen:

Nachdem wir die erste Bepflanzung mit einer riesigen Koreatanne und Spiersträuchern entfernt hatten sah der Garten im Jahr 2005 auf einer Seite so aus:

Im Jahr 2007 wuchsen außer Lebensbäumen und Rhodedendren auch noch Erika und Blauschwingelgräser dort.

Im Jahr 2009 war nach einem kalten Winter fast die ganze Erika erfroren und einer der vier Lebensbäume hatte es auch leider nicht geschafft. Dafür wuchs aber auf der linken Seite eine Randeinfassung from the more lush ivy.

Last fall, nor were added a few perennials.

how it looked until recently on the tube right side out:

... and so it looks right now from - I find horrible.

My GG was determined to keep once the largest tree of life although he is quite brown from the inside, so we have tried to trim it somewhat spherical.
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The shrubs and grasses will move until next year in the Garden of Eden, for the moment I really do not know where to put it.

Sun .... - And now I have spun a little and I tinkered with reference to the last pictures from my new front yard garden.

Something like it should be ...

When facing a low yew hedge.

yew, because my almost complete. Book in the garden on the other side of the house has dropped its leaves - I just hope the rain has been many, not the fungus, otherwise has been the subject of the book does unfortunately for me.

This problem, however I had ever few years ago, there were two balls an almost leafless, and next year they are back better than ever expelled.

Then another phylum of Harlequin pasture - but maybe some point bullets, if it is not the fungus.

variegated Hosta I could also imagine more ....

Otherwise, ground cover - maybe moss

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So, that was or is our front yard and I hope next year we can continue our plans as soon as possible.

I wish you a great week and a long, relaxing weekend with an hour more .....

Greetings

Christina

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Sofia Källgren - Ave Maria

After today I had this song already uploaded a little different than this post and had accidentally deleted - now here for me even more atmospheric version.

It is one of my favorite songs and I combine a lot of memories with it. died

When my mother five years ago was that song from my niece Deborah Clare and my nephew Dimitri Kevin with their violins played at the funeral.

It was also one of the favorite songs of my mother.

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When my oldest niece Daniela married three years ago in a small castle here in the vicinity had this song was sung by a soprano, which of course caused us sisters again very different feelings and memories.

***

It remains for me one of the most soulful songs I know.

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I wish you a beautiful day mid-week and let it go well you.

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I like the food for my GG will continue to prepare, for the celebrating his birthday today and tonight is a little bit and celebrated together must cozy.

you soon

Christina

.. and sorry for the two deleted Comments

Chetna And Prithvi Date?

ARCHIVE: Tuesday, 10.26.2010, 19.30 clock


Offener Lesekreis mit Blanche Kommerell zu Christa Wolfs »Kein Ort. Nirgends«

Friedrich Schlegel äußerte 1799 hellsichtig: »Die Geschlechtsverschiedenheit ist nur eine Äußerlichkeit des menschlichen Daseyns (...) in der That sind die Männlichkeit und die Weiblichkeit, wie sie gewöhnlich genommen und getrieben werden, die gefährlichsten Hindernisse der Menschlichkeit.«

Passend zur aktuellen Ausstellung »Männerbilder« widmet sich der Lesekreis dem Thema »Männlichkeit«: Heinrich von Kleist, his letters and Christa Wolf's studies of Kleist's Penthesilea are this time the focus of more detailed reading. In the Romantic period, the period of change and the androgynous gender designs were also challenged gender roles. The 21 year old Caroline of Günderrode said: "Many times I had the unfeminine desire to throw myself into a wild tumult of battle to die. Why was I not a man! I have no sense of feminine virtues, for women happiness. Only the wild, great, I like shiny. It is an unfortunate but incorrigible imbalance in my soul, and it will and must remain so, because I am a woman and have desires like a man without a man's strength. That's why I'm so changeable, and so at odds with me ... "The desire to escape the staring role reversals, runs like a leitmotif through the Women's Writing of the early 19th Century: If I could learn "like the boys" (Fanny Lewald), "If I were a man but at least only" (Annette von Droste-Hülshoff) Oh I want a boy to be "(Bettine Brentano). Heinrich von Kleist was also "on the" search for a safe sex. Christa Wolf describes in "No place. Nowhere "(1979) a fictional meeting between Caroline of Günderrode and Heinrich von Kleist. As two kindred spirits, they inevitably draw to identify itself as the world and himself suffering.

It is worthwhile, as always, a closer look: in the literary text and social conditions.

new interested parties are welcome, no experience necessary, texts are provided.

Admission: 10 €, reduced fee: 8 €

Location: Park Gallery Forum Amalie, Breite Straße 2a, 13187 Berlin, Phone: 030/33028095

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Help - I have been infected

... this is now a virus??

After your many beautiful light bag seen here in the blog was, I have also done it myself - and here is the result.

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I'm thrilled and I will now that I will only pay once to visit a fabric store for some more sewing.

Next, there is one for the Christmas season.

Instead of gardening, the unit now once more in the Herbstendphase, I will now turn my sewing machine, which has some Years in the cellar cabinet stood edit, LOL ....

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I wish you a beautiful Sunday.

Greetings

Christina